An interview with writer/director Jimmy Lee

Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.

Martin Campbell directs Goldeneye.

Chae-yeon, who has never been in a relationship, secretly has a crush on Nam-gyoo, the president of her company, and practices kissing in front of the mirror every day. One day, Chae-yeon musters up her courage and asks Nam-gyoo to kiss her, but Nam-gyoo avoids her, promising her next time. But in fact, Nam-gyoo has never kissed properly before, so he goes to take kissing lessons to fulfill Chae-yeon's request.

A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.

This show started in New York City, with Broadway actors and actresses. It then moved to Hollywood, California, where Hollywood actors and actresses headed the cast.

A dance troupe trapped in their theatre by the Zombie Apocalypse discover that the threat doesnt just lie beyond the chained doors, and that there are indeed worse things than being torn apart by critics.

Andy the Arsonist welcomes everyone to his theater of derange for a wild night of thrills, chills and spills. Andy kick's off the night by hosting five short horror films from some of the best Horror Writer/Directors in the indie scene.

An instructional video about theatre etiquette that slowly reveals the theatre is hiding something more sinister.

Emilia Clarke makes her West End debut as Nina in Anya Reiss’ unique 21st century modernisation of Anton Chekhov’s The Seagull, with direction by Jamie Lloyd.